![]() ? I do not really know why I do not comprehend. Is 0 position of Kotelnikov a stereo comp and 100% dual mono ? No, I think it´s more focused on centre of signal with 0 position,Īnd set to 100 it´s triggered by the loudest Event whether R or L ? or. So when you want to use one or another? Stereo compression must be applied when you want to maintain stereo image (but note that if it may cause stereo image to shrink somewhat), while very subtle dual-mono compression may be applied as subtle stereo enhancer, or naturally in cases when you want to process each side of stereo-pair separately." Dual mono may compress only guitar but not cymbals, that would change balance between them. Stereo compressor (if the threshold is low enough) would compress both channels, so relative balance between guitar and cymbals would stay same. Imagine having loud guitar on the left and relatively soft cymbal hits on the right. ![]() The differences arise when you have a lot of stereo info in your audio (e.g. Dual mono processes both channels separately. ![]() "Stereo compressor applies same gain reduction envelope to both channels that is based on the info FROM both channels (key signal might be sum of the channels, or alternatively the loudest of two channels may trigger compression). Please read the following explanation and tell me if it is the same: Yes, I refered to Stereo sensivity,īut still do not understand 100% - is a Stereo - dual mono Feature MJUC seems good too, but makes everything sound 'vintage', in a good way. Knee 100% <<<< the important bit making it more like compression! I highly recommend Elephant 4.1 for VO with these settings (as soft knee and clean as possible): Would your care to elaborate on what settings you use MJUC with for VO? I own a bunch more but only use them when I have time to experiment. I consider that the most important skill. And for that you need to know your tools. Whatever gets the job done quickly works for me. Nova is excellent for taming some unruly voices. Go-to comps for low CPU overhead and good sound for my work are: Every voice has its perfect match and if I'm lucky it'll be the compressor on my inserts. I handle VO and dialogue a lot of the time. L-R pan just proportionally steer sensitivity towards one of channels. cymbal hit, which is dominant at right channel and having highest overall amplitude, will affect both channels of audio by same amount of GR). If it is at 100% position it behaves like standard compressor in stero linked mode, so loudest event regardless of it channel will trigger gain reduction (eg. When it is in 0% position, compressor reacts just to same content in both channels (eg. I don't know, what you mean by stereo density? But control at bottom left part of UI controls sensitivity of compressor to events placed in stereo field (if you use it at bus or master fader for example). release gets shorter than nominal value, if short event occurs and vice versa). User switchable auto release mode isn't really necessary, because program dependency is already bulit-in into its release timing. For example FDR works great, when you need to compress more of offensive hi-mid frequencies of vocal and its effect is different, than use of sidechain EQ.ĭelta is just convenient helper for you to hear what parts of sound is being affected by compression during setup. I will never comprehend stereo density feature ?-!Įxactly those features, you've listed, makes it very versatile to me. M/s, internal sidechain HP, peak crest, release Peak and RMS, Versatile?, well, it has indeed some specific Features like Check R2R.txt for further information.TDR Kotelnikov (GE), excellent for clean compression = yes However, we included the tool to install the update without that. This release is update and requires previous versions installed. DOWNLOAD NOTE AAX Plugin is patched : You need cracked AAX Host to use. Fixed Demo-End-Screen partly being hidden and blocking the host. Fixed Service Center warning about missing standalone version. Fixed parameter change range during mouse drag. Fixed clickable area size for A/B preset switch. Fixed VC 2A VU-Meter scale showing -5 dB twice. Added mouse pointer hiding when changing a parameter. Added 64-Bit AAX support for ProTools 11. VC 2A FX 1.1: - Advanced integration in Maschine 2.0 host software. This electro-optical design is popular for its simple two-knob layout (input gain and peak reduction) and its forgiving level-dependent attack and release behaviour. The VC 2A models the famous Teletronix LA-2A. The plug-ins operate inside NI's free Guitar Rig 4 Player. Native Instruments VC 2A v1.1.0 UPDATE R2R | | 133.04 MB The VC 2A is one of three new vintage compressors from NI that feature DSP guts from modelling experts Softube - note that you can buy all three for €199.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |